posted by
fallon_ash at 01:23am on 05/03/2009 under rant
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Pet Peeve of the Day:
I read a lot of lesbian romance novels. Like, a *lot*. Lesbian romance and crime/mystery novels make up 97% of everything I read (and I read a lot). And I like action. I like a good action movie, I like an exciting mystery novel filled with action, and I like a good romance novel set against a backdrop of action and mystery. I like stuff that features agents, cops, procedurals, private investigators, Xena, all that stuff. However, I'm starting to get a little tired of that plot twist that inevitably arrives 3/4ths into the book where one or both parties are placed in mortal danger (kidnappings, car accidents, train wrecks, crazy exes, terrorists, assassins, robbers, etc, etc) forcing one or both of them to instantly realize that they cannot live without each other. But I'm getting to the point where it's starting to feel almost a little like a cop-out. Like for *once* can I have a couple where they're actually forced to *talk* about it, and work through all their issues and mental blocks and all that crap to arrive at the conclusion that they love each other and can't live without each other.
Now, it's not that it's not good. It's not that it's not exciting. It's not that I don't like it. I do like it. I like excitement and danger and brave and noble women who try to make the world a better place and who place themselves in harm's way because they believe in their cause, and I like it when they're forced to set aside whatever personal issues they have because the situation is dire and there's no room for it right now. And lots of writers write this really really well, and I enjoy it thoroughly, most of the time.
But like the one I'm reading right now, and I don't wanna tell you which one it is, because it's a good book, and it's not this book's fault in any way, it's an accumulated feeling, but it has competent professionals who value other people and the greater good over themselves, and our two heroines have huge elephant-sized honking pasts that have built fortresses with guards and cannons and moats and marksmen around their hearts, and they've been drawn to each other over the course of the book, and they've gotten closer and then been pulled apart several times, both by other people and their own demons, all according to good romance novel fashion, and now with about 1/5th of the book left there has been this huge catastrophe, and one of them is missing, and they're about to become painfully aware of how much they love each other, and all the walls and all the past will just be gone, like that, because the disaster came and stripped it all away. And you know, that's not a bad plot-twist. It's exciting and full of action and assorted heroics.
But, just once in a while, I would like my brave noble women to have to pull the fortresses apart by themselves. No outside forces aiding abetting them (I don't mind a lot of action and mystery, but the two can co-exist), just my brave noble women forced to rip the walls down, stone by stone, with their bare hands, and the reader getting to follow along in the process. Is it too much to ask?
Disclaimer: if you're a writer and you've written this plot twist at some point, and you happen across this, this does not mean I do not enjoy these books. I do! Lots! I've written it myself, as well! I just... once! With their bare hands!
I read a lot of lesbian romance novels. Like, a *lot*. Lesbian romance and crime/mystery novels make up 97% of everything I read (and I read a lot). And I like action. I like a good action movie, I like an exciting mystery novel filled with action, and I like a good romance novel set against a backdrop of action and mystery. I like stuff that features agents, cops, procedurals, private investigators, Xena, all that stuff. However, I'm starting to get a little tired of that plot twist that inevitably arrives 3/4ths into the book where one or both parties are placed in mortal danger (kidnappings, car accidents, train wrecks, crazy exes, terrorists, assassins, robbers, etc, etc) forcing one or both of them to instantly realize that they cannot live without each other. But I'm getting to the point where it's starting to feel almost a little like a cop-out. Like for *once* can I have a couple where they're actually forced to *talk* about it, and work through all their issues and mental blocks and all that crap to arrive at the conclusion that they love each other and can't live without each other.
Now, it's not that it's not good. It's not that it's not exciting. It's not that I don't like it. I do like it. I like excitement and danger and brave and noble women who try to make the world a better place and who place themselves in harm's way because they believe in their cause, and I like it when they're forced to set aside whatever personal issues they have because the situation is dire and there's no room for it right now. And lots of writers write this really really well, and I enjoy it thoroughly, most of the time.
But like the one I'm reading right now, and I don't wanna tell you which one it is, because it's a good book, and it's not this book's fault in any way, it's an accumulated feeling, but it has competent professionals who value other people and the greater good over themselves, and our two heroines have huge elephant-sized honking pasts that have built fortresses with guards and cannons and moats and marksmen around their hearts, and they've been drawn to each other over the course of the book, and they've gotten closer and then been pulled apart several times, both by other people and their own demons, all according to good romance novel fashion, and now with about 1/5th of the book left there has been this huge catastrophe, and one of them is missing, and they're about to become painfully aware of how much they love each other, and all the walls and all the past will just be gone, like that, because the disaster came and stripped it all away. And you know, that's not a bad plot-twist. It's exciting and full of action and assorted heroics.
But, just once in a while, I would like my brave noble women to have to pull the fortresses apart by themselves. No outside forces aiding abetting them (I don't mind a lot of action and mystery, but the two can co-exist), just my brave noble women forced to rip the walls down, stone by stone, with their bare hands, and the reader getting to follow along in the process. Is it too much to ask?
Disclaimer: if you're a writer and you've written this plot twist at some point, and you happen across this, this does not mean I do not enjoy these books. I do! Lots! I've written it myself, as well! I just... once! With their bare hands!
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(I totally beat you to it. A few weeks ago I had Nikki going completely crazy because a perp pulled a gun at Nora and she instantly realized how much she loved her. :P However, no eta on when the darned thing will ever be finished. Damn muse.
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edit: I love that icon btw :) where'd you get it? or did you make it?
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Yep, my icon. Glad you like it!
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Action is great; it keeps a reader engaged in a story and increasingly willing to the turn the pages to see what happens next. But at the same time, as engaging as it is, it gets quite boring to see the same old life-threatening situation be the catalyst for a declaration of love/lust. Every now and then it's nice to read something different. But that life-threatening situation certainly sells novels, and I buy them, so I can't blame the writer for choosing that route. I've never sold a novel but I've written that same situation in fanfic and damn if its not popular.
It's not too much to ask for a good, solid romance without the action, but I think you'll find (I certainly have anyway) that it is rare and hard to find. The lady in distress with her knight in shining armor has been selling dime novels since the beginning of printing, regardless of the knight being male or female. We just have to treasure the solid stories we do manage to find.
Also, if you ever feel like sharing, I'd be interested to know what you're reading that inspired this. I love reading and my collection of lesbian romance is simply pitiful, though I am looking to expand that collection if I can.
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Night Call by Radclyffe (RadFic.com). Radclyffe is one of my absolute favourites, I own all her books. Particularly her Honor series, about the Presiden't daughter and her Secret Service detail, which are some of the best action novels I've ever read (now, by 'best' I mean 'my favourite', which is the only thing that matter. I won't care 10 pages of a book no matter how remarkably well-written the action is if the main characters are testosterone-laden heroes saving whimpy ladies.)
Other authors/books in the genre that I love, although I should say that they all stem from the Xena-verse, but are more than good enough to stand on their own:
Missy Good (Merwolf.com) writes the best Xena-fanfic in the world, with character insight that far exceeds the actual show. She also write the awesome cute poignant occasionally action-filled fantastic über-series about Dar and Kerry working for a geeky global company in contemporary Miami.
Madam President (web version) by Advocate and T. Novan (TNovan.com), and the sequel First Lady. Sort of a mix of The West Wing and Commander in Chief. While I liked it, I was always a bit disappointed in CiC, it never fully let her be the leader a president on TV needs to be. They always had to play up her femininity, her maternal sides, don't let her be too strong, she mustn't be threatening to our white male audience. Blech. These books let Madam President be the President, but there's still a romantic side to it that tWW didn't really have.
The Growing by Susanne Beck, T Novan and Okasha (web version). A post-apocalyptic sci-fi android fantasy tale. Plenty of action, excitement, intelligent people, romance, about having to bring the technology of the new world into the ways of the old world close to nature when society as we know it is torn apart, all written in a gothic fantasy tone. Epic and awesome.
(And if I got all those html-tags right and won't have to edit this post, go me!)
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Radclyffe is becoming a favorite of mine as well. I never really got too much into Xena fic, which is where she started I believe, but I have picked up a few of the Honor series by her and enjoyed them very much. (In some ways I am a very typical lesbian romance reader and I have a special fondness for ladies with guns.)
I keep on trying to expand my collection and getting nowhere really fast. Bookstores around here are not necessarily lgbt-friendly and buying online gets to be a hassle sometimes, particularly as I'm the type to find a book and want to read it Right. Now. I'm so impatient when it comes to that.
Some of my favorites of the genre happen to include a lot of the life-threatening danger variety, but perhaps that's only because it's so popular to write. My favorites are less based on the plot line or even style (none of them would ever win Nobel awards, that's for sure) but whether or not I care for the characters. Some great novels have characters that, for one reason or another, I just don't like. Other not-so-great- novels are favorites because even if the plot or style sucked, I totally loved the characters.
As for this genre, probably topping my list of all-time favorites is Passion's Shadow by Nicole Conn. Probably more famous for writing/directing Claire of the Moon (a sentimental favorite since that was the first lesbian romance I read), Nicole definitely stepped up her game, and out the genre rules, with Passion's Shadow. Characters you love, characters you hate, characters you love to hate. Gripping emotional drama but none of the "OMG I'm gonna die, I love you" life-threatening danger. This is the kind of romance I want to write and publish one day. It has its flaws, sure, but it has many more elements of the kind of story I love.
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Radclyffe is actually one of the few that, as far as I understand, didn't start out in the Xenaverse. She's been writing since the 80s, and then got into the X-Files fandom, but since her original fic had a lot of the same dynamics as the über-Xena fic, people just assumed that's what she was writing...
And yeah, most of my favourites include the life-threatening danger stuff as well. But you can have that without it being that catalyst for declarations of love. I totally understand what you mean about your favourites being based on things other than perfect writing. It's *all* about the characters for me. Of course, when I think about it, a book has to be relatively well-written for me to be able to like the characters, but it's not enough just that it's well-written.
Oh, and I forgot to mention, because she's more mainstream than niched, but Laurie R. King. She writes a really great mystery series about Kate Martinelli, female cop in San Francisco who just happens to be gay. Some of my favourite books in all the world.